Ah thought Ah would love this Brit film called “Endgame”. It hayuz all the elements - “Official Selection” status from the Philly Gay & Lesbian Film Fest, a stunningly handsome boy, and the edgy darkness of a thriller.

“Endgame” stars Daniel Newman (oooo the English accent, the pouty lips, the body of Apollo! Ah’m in LOVE!) as Tom, a rent boy who is kept by the dashingly evil - and vile - George Norris (Mark McGann), a sado-masochistic gangster. Tom is kept in high style in a London flat filled with pop art and a bedroom set up, not only for sex, but also for blackmail with a hidden camera focused on the red silk bedsheets. Tom is being sucked down into a nasty scheme

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Elvira Kurt’s comedy hits a nerve! Her universal themes of the absurdity of modern life, the fractured nostalgia of our childhood and our continuous struggle against turning into our parents create humor that the Hollywood Reporter calls “acerbically hilarious.”

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Ah must first say that you MUST click the links and buy “Stonewall” title IMMEDIATELY. Not only is the film filled with Fabulousness - much like myself! - it is a dramatic and stirring tale about the most momentous moment (hmmm) in homosexual history!

Far from being a dry, fictionalized account of the people involved in the 1969 Stonewall Riots, this adaptation of Martin Duberman’s book is instead a rollicking musical drama that successfully blends gay history and queer fabulousness to wonderful effect.

This what-might-have-been-happening on the days

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Mah oh Mah. Ta’s been so busy spreading FABULOSITY ’round the world that when Ah finally had a moment to relax with mah mint julep and catch up on some movie watchin’ Ah didn’t realize Ah’d be in for such a hilarious treat!

Todd (played by Jonathan Bray), who is straight, ends up on a blind date with a gay man, Kelly (the stunningly handsome and oh-so-cute, Wilson Cruz) - the result of a practical joke played by his brother, Barry (Jonathan Silverman).

To Todd’s surprise, he and Kelly strike up a friendship. They decide to take revenge on Barry by reversing the joke. After their “date,” the

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“Rights of Passage” is a taut, well-written and acted thriller from the acclaimed director of “Powder” (Victor Salva) a delves into issues of parenthood, masculinity, homophobia, childhood hurts, and one young man’s misdirected search for a father figure.

Del (the excellent Dean Stockwell) and his young lawyer son DJ (Robert Glenn Keith, the hunk in the gay short “Death in Venice California”) travel to their lakeside cabin to fish and talk. When they get there, Del’s estranged gay son, Campbell (well-acted by the hunkalicious Jason Behr and star of “Roswell”), is unexpectedly

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Before Ellen and before Cho, there was Suzanne Westenhoefer.

Fearless, bold, unapologetic, and “freaking hilarious” best describes Comedian Suzanne Westenhoefer. She’s made a career out of telling the truth. And, the truth is, life is funny and no one is off limits. From her mom’s Last Will and Testament to her dog’s embarrassing discovery (What is the discovery? Strange otherwise), Suzanne shares stories that leave audiences in stitches.

The first openly gay comedian in the U.S., Suzanne has delivered gay

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David Kaufman has now written the long-awaited, definitive biography of Doris Day. By telling Day’s incredible, previously untold story, Kaufman takes the reader to the epicenter of American popular culture- a roller-coaster saga, from the 1940s to the 1980s. While Day symbolized virtuous America to the rest of the world-especially in her heyday, the 1950s and early 1960s-both she and that era are still perceived as being far more innocent and carefree than they really were. Indeed, what makes Day’s story so richly fascinating is the fact that she was in many ways the opposite of her

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BROKEBACK MOUNTAIN is much more than a gay cowboy movie, even though many straight folks are fond of describing it as such. And given that I was starting to feel like the only queer dude in the world that had not seen this much talked about (and admired) flick: I finally made myself watch it on DVD recently. And it was the saddest love story I’ve ever seen.

I knew one of the characters died. And I’d also heard about the quite moving scene with the shirt (I won’t say more than that–just in case there still might be another soul out there that has not seen this film yet). But all my friends failed to tell me about the gay bashing scene. I mean, the movie was

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Damn, I’m really on a roll (as far as queer flicks are concerned). I’ve actually seen both CAPOTE and BROKEBACK MOUNTAIN on DVD. The special features alone–made me glad I bought both flicks.

I found the film CAPOTE — both moving and maddening. The performances were all excellent. And I agree the lead actor, Philip Seymour Hoffman, deserved the Academy Award he won. But the so-called revelations about the REAL Truman Capote (why he never wrote another major book after In Cold Blood, plus his eventual self-destruction from too much

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High School in South Texas was not kind to Paul J. Williams.  As a “creative” teenager, he was in band, choir AND drama.  Wimp.  Nerd.  Fag.  To counter the endless teasing and name-calling, Paul learned early on to always have the last word.  Eventually, this defense mechanism developed into a very quick wit, which came in handy as he endured four repressive years of

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